Shadi Abdel Salam
This article includes a list of general references but lacks sufficient corresponding inline citations. (October 2018) |
Shadi Abdelsalam | |
|---|---|
| Born | Shadi Mohamed Mahmoud Abdelsalam Elsabagh 15 March 1930 |
| Died | 8 October 1986 (aged 56) |
Resting place | Cairo Necropolis |
| Citizenship | Egyptian |
| Education | Victoria College, Alexandria Faculty of Fine Arts at Cairo University |
| Occupations | Film director, screenwriter, designer, architect |
| Years active | 1961–1986 |
| Employer(s) | Higher Institute of Cinema, Egyptian film Center, Experimental Film Center (Founder) |
| Notable work | The Night of Counting the Years |
Shadi Abdel Salam (Arabic: شادي عبد السلام, romanized: Shādī ʿAbd el-Salām, 15 March 1930 – 8 October 1986) was an Egyptian interdisciplinary artist, architect, film director, screenwriter and costume and set designer.
Early life and education
[edit]Born in Alexandria on 15 March 1930, Shadi graduated from Victoria College, Alexandria, 1948, Abdel Salam received a diverse education in both Egypt and the United Kingdom. Between 1949 and 1950, he studied theatre arts, drama, philosophy, and law in London. He later returned to Britain in 1956 to continue his studies in drama. In Egypt, he attended the Faculty of Fine Arts in Cairo, graduating with distinction from the Department of Architecture in 1955. During his studies, he was mentored by the influential architect Hassan Fathy, whose emphasis on traditional Egyptian culture, heritage, and design would have a lasting impact on Abdel Salam's artistic and cinematic vision. He worked as assistant to the artistic architect, Ramsis W. Wassef, 1957, and designed the decorations and costumes of some of the most famous historical Egyptian films among which are; Wa Islamah, Maww’ed fil Bourg, Al Nasser Salah Ad-Din, Almaz wa Abdu El Hamouly. He worked as a historical consultant and supervisor of the decoration, costumes and accessories sections of the Polish film, Pharaoh, directed by Jerzy Kawalerowicz.[1][2]
He also directed the long drama film entitled The Night of Counting the Years (Al-Momiaa), 1968–1969, and he received many film awards for this work.[citation needed] Also directed the Ancient Egyptian short drama film entitled The Eloquent Peasant.[citation needed] Notably, he once worked as the Director of the Ministry of Culture Center for experimental films in 1970.[citation needed] He also wrote the scenario of the long drama film entitled "Ikhnatoun" and finalized the relevant designs from 1974–1985[citation needed]. He has taught at the Cinema Higher Institute of Egypt in the Departments of Decorations, Costumes and Film Direction from 1963–1969.[citation needed] He died on 8 October 1986.
Career
[edit]Shadi Abdel Salam began his career in Egyptian cinema during the late 1950s and 1960s as a set and costume designer, contributing to several major historical productions, most notably Saladin the Victorious. His meticulous research into Egyptian history, architecture, and visual culture established his reputation as one of the most distinguished art directors in Egyptian cinema.
In 1969, Abdel Salam made his directorial debut with The Night of Counting the Years (Al-Mummia), a historical drama inspired by the discovery of the Royal Cache at Deir el-Bahari in 1881. The film follows a young member of a tribe that has secretly looted royal tombs for generations and explores themes of cultural identity, historical memory, and national heritage. Widely regarded as one of the greatest Egyptian films ever made, it remains Abdel Salam's best-known work.
The same year, he directed the short film The Eloquent Peasant, an adaptation of the ancient Egyptian tale of the same name. During the 1970s and 1980s, he focused primarily on documentary and educational films dedicated to Egyptian history and culture. These included Afaq, which examined contemporary Egyptian cultural life, and Goyoush El Shams, documenting the spirit of Egyptian soldiers following the October War of 1973. He later directed a series of historical docudramas, including Korssy Tout Ankh Amun El Zahaby, Al Ahramat Wama Kablaha, and Ann Ramses El Thany, all intended to promote awareness of ancient Egyptian civilization and heritage.
For much of the final decade of his life, Abdel Salam devoted himself to an ambitious historical epic about the reign of Pharaoh Akhenaten, known as The Tragedy of the Great House (Akhenaten). He spent nearly ten years researching and developing the project, producing multiple script revisions and completing extensive costume, set, including casting Mohamed Sobhi and Sawsan Badr as Akhantun and Nefertiti, and working on production designs. Despite receiving offers of foreign financing, he insisted that a film about Egyptian history should be funded entirely by Egyptians. The project remained unfinished at the time of his death in 1986.
Abdel Salam's reputation grew significantly after the restoration of The Night of Counting the Years in 2009 by the World Cinema Project of Martin Scorsese. Scorsese described the film as "an astonishing piece of cinema" that is "stately, poetic, with a powerful grasp of time and the sadness it carries,"[3] praising its unique sense of history and its meditation on identity, memory, and cultural heritage. He also called the film a masterpiece and one of the greatest Egyptian films ever made, helping introduce Abdel Salam's work to a new international audience.
Material from this unfinished work later formed the basis of The Road to God (Al-Tariq ila Allah), a posthumously completed trilogy consisting of The Fortress, The Dandarawiya, and The Tragedy of the Great House – Akhenaten. Drawing upon Abdel Salam's notes, designs, and surviving footage, the trilogy continued his lifelong exploration of ancient Egyptian spirituality, philosophy, and cultural identity, and was later screened publicly in Egypt by cultural institutions including the Egyptian Opera House and the National Cinema Center.
Filmography
[edit]Filmography as Director
[edit]| Year | Title | Genre | Note |
|---|---|---|---|
| 1969 | The Night of Counting the Years | Feature film | Abdelsalam only Feature film |
| 1970 | The Eloquent Peasant | Short narrative film | Based on The Eloquent Peasant |
| 1972 | Horizons | Documentary | |
| 1974 | Armies of the Sun | Documentary | Documentation of the Egyptian Army during October War |
| 1982 | Tutankhamon's Chair | Docudrama | |
| 1984 | The Pyramids and Before Them | Docudrama | |
| 1986 | Ramses II | Docudrama | |
| The Fortress | Docudrama | Posthumously completed and released | |
| El Dandarawiya | Docudrama | Posthumously completed and released | |
| Akhenaten: The Tragedy of the Great House | Unmade | ||
| 2012 | The Road to God | Documentary | Posthumously Completed, consists of three short films—The Fortress, The Dandarawiya, and the BTS of The Tragedy of the Great House – Akhenaten |
Other film work
[edit]| Year | Title | Director | Credit |
|---|---|---|---|
| 1961 | Wa Islamah (Oh Islam!) | Andrew Marton & Enrico Bomba | Set and costume designer |
| 1962 | El Khataya (The Sin) | Hassan El Imam | Art director |
| 1962 | Almaz wa Abdu El Hamouly | Helmy Rafla | Set and costume designer |
| 1962 | Maw'ed fi al-Burj (Appointment in the Tower) | Ezz El Dine Zulficar | Set designer |
| 1963 | El Nasser Salah El Din (Saladin) | Youssef Chahine | Set and costume designer |
| 1963 | Shafiqa El-Copteya | Hassan El Imam | Art director / costume designer |
| 1963 | Arous El Nil (Bride of the Nile) | Fatin Abdel Wahab | Art director |
| 1963 | Rabia al-Adawiya | Niazi Mostafa | Set and costume designer |
| 1964 | Amir al-Dahaa | Henry Barakat | Art director and costume designer |
| 1964 | Bint Antar (Antar's Daughter) | Niazi Mostafa | Costume designer |
| 1965 | Amirat al-Arab | Niazi Mostafa | Set and costume designer |
| 1965 | Pharaoh | Jerzy Kawalerowicz | Historical consultant, costume and décor supervisor |
| 1965 | Bein al-Qasrein (Palace Walk) | Hassan El Imam | Art director |
| 1967 | El Seman wal Kharif (Quail and Autumn) | Hossam El Din Mostafa | Art director |
| 1971 | Adwa' al-Madina (City Lights) | Hassan El Imam | Art director |
Museum
[edit]The Shadi Abdelsalam Museum and Exhibition is a permanent museum and archive dedicated to the life and work of Egyptian filmmaker, artist, and production designer. Located within the Bibliotheca Alexandrina in Alexandria, the museum preserves a large collection of his original sketches, paintings, costume and set designs, photographs, manuscripts, personal belongings, and archival materials related to his films and unrealized projects, particularly his long-planned epic Akhenaten (The Tragedy of the Great House). The museum also features screenings of his films and documentaries about his life and career, serving as an important center for the preservation and study of his artistic legacy and his contribution to Egyptian and world cinema.[4]
Tribute
[edit]On 15 March 2015, Google celebrated his 85th birthday with a Google Doodle.[5]
References
[edit]- ↑ "Faraon". FilmPolski (in Polish). Retrieved 25 January 2019.
- ↑ Cast: Movie - Maweid fi albarj - 1962, retrieved 2021-12-07
- ↑ "World Cinema Project". www.film-foundation.org. Retrieved 2026-06-24.
- ↑ "The World of Shadi Abdel Salam Exhibition". Bibalex.org. 2024-08-20. Retrieved 2026-06-24.
- ↑ "Shadi Abdel Salam's 85th Birthday". Google. 15 March 2015.
External links
[edit]- Shadi Abdel Salam at IMDb
- San Francisco International Film Festival page
- Bibliotheca Alexandrina museum page Archived 2016-03-03 at the Wayback Machine
- Download The Night of Counting the Years at archive.org
- The Cinema of North Africa and the Middle East Book
- Taboo Memories, Diasporic Voices Book
- Cinemalex page