Portal:Poetry
Welcome to the Poetry Portal
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. A particular instance of poetry is a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, consonance, euphony and cacophony, onomatopoeia, rhythm (via metre), rhyme schemes (patterns in the type and placement of a phoneme group) and sound symbolism, to produce musical or other artistic effects. They also frequently organize these devices intos, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often rely on rhythmic metre: patterns of syllable stress or syllable (or mora) weight. They may also use repeating patterns of phonemes, phoneme groups, tones, words, or entire phrases. Poetic structures may even be semantic (e.g. the volta required in a Petrarchan sonnet).
Most written poems are formatted in verse: a series or stack of lines on a page, which follow the poetic structure. For this reason, verse has also become a synonym for poetry. Some poetry types are unique to particular cultures and genres and respond to characteristics of the language in which the poet writes. Readers accustomed to identifying poetry with Dante, Goethe, Mickiewicz, or Rumi may think of it as written in lines based on rhyme and regular meter. There are, however, traditions, such as Biblical poetry and alliterative verse, that use other means to create rhythm and euphony. Other traditions, such as Somali poetry, rely on complex systems of alliteration and metre independent of writing and have been described as structurally comparable to ancient Greek and medieval European oral verse. Much modern poetry reflects a critique of poetic tradition, testing the principle of euphony itself or altogether forgoing rhyme or set rhythm. In first-person poems, the lyrics are spoken by an "I", a character who may be termed the speaker, distinct from the poet (the author). Thus if, for example, a poem asserts, "I killed my enemy in Reno", it is the speaker, not the poet, who is the killer (unless this "confession" is a form of metaphor which needs to be considered in closer context – via close reading).
Poetry uses forms and conventions to suggest differential interpretations of words, or to evoke emotive responses. The use of ambiguity, symbolism, irony, and other stylistic elements of poetic diction often leaves a poem open to multiple interpretations. Similarly, figures of speech such as metaphor, simile, and metonymy establish a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between individual verses, in their patterns of rhyme or rhythm. (Full article...)
Selected article
Haiku (俳句; English: /ˈhaɪk.uː/, Japanese: [hai.kɯ(ꜜ)] ⓘ) is a type of short-form poetry that originated in Japan. Traditional Japanese haiku consist of three phrases composed of 17 morae (called on in Japanese) in a 5, 7, 5 pattern that include a kireji or "cutting word" and a kigo or seasonal reference. However, haiku by classical Japanese poets, such as Matsuo Bashō, also deviate from the 17-on pattern and sometimes do not contain a kireji. Similar poems that do not adhere to these rules are generally classified as senryū.
Haiku originated as an opening part of a larger Japanese genre of poetry called renga. These haiku, written as opening stanzas, were known as hokku and over time they began to be written as stand-alone poems. Haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century.
Originally from Japan, haiku today are written by authors worldwide. Haiku in English and haiku in other languages have different styles and traditions while still incorporating aspects of the traditional haiku form. Non-Japanese language haiku vary widely on how closely they follow traditional elements. Additionally, a minority movement within modern Japanese haiku (現代俳句, gendai-haiku), supported by Ogiwara Seisensui and his disciples, has varied from the tradition of 17 on as well as taking nature as their subject. (Full article...)
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Poetry WikiProject
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Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an expatriate American poet and critic who was a major figure of the early modernist movement. His contribution to poetry began with his development of Imagism, a movement derived from classical Chinese and Japanese poetry, stressing clarity, precision and economy of language. His best-known works include Ripostes (1912), Hugh Selwyn Mauberley (1920) and the unfinished 120-section epic, The Cantos (1917–69).
Working in London in the early 20th century as foreign editor of several American literary magazines, Pound helped discover and shape the work of contemporaries such as T. S. Eliot, James Joyce, Robert Frost and Ernest Hemingway. He was responsible for the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock" and the serialization from 1918 of Joyce's Ulysses. Hemingway wrote of him in 1925: "He defends [his friends] when they are attacked, he gets them into magazines and out of jail. ... He introduces them to wealthy women. He gets publishers to take their books. He sits up all night with them when they claim to be dying ... he advances them hospital expenses and dissuades them from suicide."
Outraged by the carnage of World War I, Pound lost faith in England and blamed the war on usury and international capitalism. He moved to Italy in 1924, and throughout the 1930s and 1940s embraced Benito Mussolini's fascism, expressed support for Adolf Hitler and wrote for publications owned by the British fascist Oswald Mosley. During World War II he was paid by the Italian government to make hundreds of radio broadcasts criticizing the United States, Franklin D. Roosevelt and Jews, as a result of which he was arrested by American forces in Italy in 1945 on charges of treason. He spent months in detention in a U.S. military camp in Pisa, including three weeks in a six-by-six-foot outdoor steel cage that he said triggered a mental breakdown, "when the raft broke and the waters went over me". Deemed unfit to stand trial, he was incarcerated in St. Elizabeths psychiatric hospital in Washington, D.C., for over 12 years. (Full article...)
Did you know (auto-generated) -
- ... that a 19th-century Chinese poem exploring gay and lesbian relationships is 1.8 million words long?
- ... that Mary Hannay Foott's best-known poem was inspired by the true story of two men who disappeared in the Australian outback in 1877?
- ... that the poem "Ozymandias" and the birthplace of Pythagoras inspired an Australian sculpture?
- ... that Yiddish poet Mikhl Gordon's first collection under his real name was not published until 1889, a year before his death?
- ... that the newspaper Qizil Tugh (Red Banner) provided a publishing platform for young Uyghur-language poets and writers in the Soviet Union?
- ... that the Olympic shooter Ho Chung Kin translated more than 150 Tang-dynasty and Song-dynasty poems, maintaining a rhyme structure that mirrors the original classical Chinese texts?
Selected poem
| Adonais verses 1-4 by Percy Bysshe Shelley |
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