Lav Diaz
Lav Diaz | |
|---|---|
Diaz at the 2025 Cannes Film Festival | |
| Born | Lavrente Indico Diaz December 30, 1958 |
| Other name | Bahagharing Timog[2] |
| Occupations |
|
| Notable work | |
| Children | 3 |
Lavrente Indico Diaz (born December 30, 1958) is a Filipino filmmaker, actor, and former film critic.[3] He is known as one of the key figures in the slow cinema genre, directing a diverse range of long narrative films that explore Philippine social and political themes with minimalist storytelling and long takes.
Diaz made his feature directorial debut with Serafin Geronimo: Ang Kriminal ng baryo Concepcion, released in 1998. Initially making low budget films within the Philippine studio system, he first came to prominence with Batang West Side (2001) and Evolution of a Filipino Family (2004), which both feature long running times that have become his trademark. Most of Diaz's work, which include Melancholia (2008), From What Is Before (2014), A Lullaby to the Sorrowful Mystery and The Woman Who Left (2016), have garnered critical acclaim at international film festivals such as Venice, Berlin, Cannes, and Locarno. Two of his films, Norte, the End of History (2013) and Magellan (2025), have been submitted by the Philippines for the Academy Award for Best International Feature Film.
Early life and education
[edit]Diaz was born on December 30, 1958 in Columbio, Cotabato to Mario Diaz, an Ilocano from Guimba, Nueva Ecija, and Maria Indico, from Lambunao, Iloilo; both of his parents are teachers who had previously decided to volunteer for a government program and travel to Mindanao to assist in building schools.[4] Lav Diaz was initially meant to be named "José", but his father Mario, whom he described as "a hardcore socialist" who loved Russian literature,[4] settled on naming him after Lavrentiy Beria, the head of Joseph Stalin's secret police in the Soviet Union during World War II.[5] According to his father, Diaz's family descended from Valentín Díaz, one of the founders of the Katipunan that initiated the Philippine Revolution in 1896. Diaz had a total of four siblings; an older brother, Bonifacio Diaz, died as an infant upon being given the wrong medication for his sickness at a hospital.[5]
At the age of four, Diaz was nearly paralyzed by a sickness initially diagnosed as a rare form of polio (later discovered to be dystonia), and was bed-ridden for a year while his parents sought help from faith healers and doctors.[5] He later recalled that "[the doctor] would dip me in very hot water with oil for hours, and I would be screaming and wailing all the time, in pain and in fear".[5] After some time, Diaz's sickness began to subside, and he proceeded to relearn how to walk beginning with crawling. His motor functions never fully returned to its initial state, and Diaz grew to be shy and reclusive.[5]
Diaz's childhood was marked by the presence of violent conflicts between Muslim armed groups and the Philippine government, although Diaz himself did not personally witness the conflict.[4] Due to the dangerous situation, his family moved to the more peaceful town of Tacurong in what is now Sultan Kudarat where he finished his high school education. Diaz has cited his father Mario, a cinephile, as one of his influences in cinema, having spent time watching double features with his father at a cinema in Tacurong growing up.[4] Diaz graduated in 1980 with an economics degree from Notre Dame University in Cotabato City. [1]
Film career
[edit]Early career
[edit]Diaz moved to Manila, where he wrote for various publications, including the Manila Standard, Ang Masa and We Forum.[1] His short story "Pula, Puti at Saka Blu, at Marami Pang Kolor", which he wrote under the pseudonym Bahagharing Timog, won second place at the 1990 Palanca Awards in the Short Story - Filipino category.[4] Diaz also became a production assistant for Philippine Educational Theater Association (PETA)'s TV show Balintataw.[1]
After attending multiple film workshops, Diaz made two short films, Banlaw (1985) and Step No, Step Yes (1988).[6] He later moved to New York City to study filmmaking.[7]
Diaz’s first feature films were produced by Lily Monteverde’s Good Harvest Productions, which specialized in ultra-low-budget “pito-pito” films.[8] His debut, Serafin Geronimo: Ang Kriminal ng baryo Concepcion (1998), starred Raymond Bagatsing and was said to be inspired by Fyodor Dostoyevsky’s novel Crime and Punishment.[9] It was followed by 1999’s Hubad sa Ilalim ng Buwan, an erotic drama starring Klaudia Koronel and Joel Torre,[10] and Burger Boys, also released in the same year.[11]
Batang West Side, a five-hour epic depicting the Filipino diaspora in the United States, was the longest Filipino film at its release in 2001[12] and became Diaz’s breakthrough.[13][14] Starring Joel Torre, Gloria Diaz, and Yul Servo, it won 10 Gawad Urian Awards in 2002 and won Best Asian Feature Film at the Singapore International Film Festival in the same year. Batang West Side was restored in 2015 by the Austrian Film Museum and re-released by North American distributor Kani Releasing in 2025 as part of its 25th anniversary.[15] In between making Batang West Side, Diaz made another film for Good Harvest, the dystopian action film Hesus, Rebolusyonaryo (2002).[8]
Diaz started filming Evolution of a Filipino Family in 1994, continuing sporadically over the next ten years as he sought funding. An epic about a rural family dealing with changes in Philippine society brought by President Ferdinand Marcos’s martial law rule, it premiered at the 2004 Toronto International Film Festival with a runtime of ten hours, surpassing Batang West Side as the longest Filipino film of all time.[16][17]
In 2006, Diaz premiered the eight-hour epic Heremias, Book One: The Legend of the Lizard Princess, the first in a planned diptych starring Ronnie Lazaro, at Hong Kong International Film Festival.[18][19] Death in the Land of Encantos, a nine-hour epic set in the aftermath of Typhoon Durian in Bicol, received a Special Mention award at the 64th Venice International Film Festival in 2007 as part of the Orizzonti section.[20][21] In 2008, the seven-hour Melancholia won Best Film in the same section at the 65th Venice International Film Festival.[22][23]
2010s
[edit]In 2011, the six-hour epic Century of Birthing premiered at the 68th Venice International Film Festival as part of the Orizzonti section.[24] Diaz also released the 80-minute film Elegy to the Visitor from the Revolution, his shortest feature to date.[25]
Florentina Hubaldo, CTE won the NETPAC-Eastar Jet award at the 13th Jeonju International Film Festival in 2012.[26] Diaz reshot the film from a prior cut titled Agonistes, Myth of a Nation in 2009.[27] An Investigation on the Night That Won’t Forget, released in the same year, is a documentary centering on the 2009 murders of film critic Alexis Tioseco, who had championed Diaz’s work, and his girlfriend Nika Bohinc.[28]
Norte, the End of History, a four-hour loose adaptation of Crime and Punishment, premiered at the 2013 Cannes Film Festival as part of the Un Certain Regard section.[29][30][31] It was selected as the Philippines’ submission at the 87th Academy Awards for Best International Feature Film, but was not nominated.[32]
In 2014, From What Is Before, a five-hour historical epic set a few days before President Marcos declared martial law in 1972, premiered at the 67th Locarno Film Festival, where it won the Golden Leopard award.[33][34][35] It was later acquired by Mubi for global distribution.[36] In the same year, Storm Children: Book One, a documentary about the aftermath of Typhoon Haiyan in the city of Tacloban, premiered at the DMZ International Documentary Film Festival in 2014.[37][38]

Diaz released two films in 2016. A Lullaby to the Sorrowful Mystery, an eight-hour historical epic set during the Philippine Revolution, competed for the Golden Bear at the 66th Berlin International Film Festival, where it won the Alfred Bauer Prize.[39][40] The Woman Who Left, a four-hour drama inspired by Leo Tolstoy’s short story “God Sees the Truth, But Waits”, starred Charo Santos and John Lloyd Cruz.[41][42] It won the Golden Lion award at the 73rd Venice International Film Festival.[43]
Diaz was invited by the Academy of Motion Picture Arts and Sciences to join as a member in July 2017.[44]
Season of the Devil, a four-hour musical film set during the martial law era, premiered at the 68th Berlin International Film Festival in 2018, where it competed for the Golden Lion.[45] The film starred Piolo Pascual and Shaina Magdayao, who also starred in The Halt, a four-hour dystopian drama, which premiered at the 2019 Cannes Film Festival as part of the Director’s Fortnight lineup.[46][47]
2020s
[edit]Genus Pan premiered at the 77th Venice International Film Festival in 2020 as part of the Orizzonti section, where Diaz won the Best Director award.[48] An expanded version of Diaz’s segment “Hugaw” from the omnibus film Lakbayan (2018), which also featured segments by Kidlat Tahimik and Brillante Mendoza,[49] it is his shortest feature since Elegy to the Visitor from the Revolution at 157 minutes.[50]
History of Ha, a four-hour period drama set after the death of President Ramon Magsaysay in a plane crash in 1957, marked Diaz’s fourth collaboration with John Lloyd Cruz.[51] It premiered at the BFI London Film Festival in 2021.[52] Cruz also starred in Diaz’s seven-hour historical epic A Tale of Filipino Violence, an adaptation of Ricky Lee's short story and screenplay “Servando Magdamag”, which premiered at FIDMarseille in 2022.[53] Plans for an eight-part television series to be streamed at iWantTFC were later scrapped as of 2026.[54]
Later in 2022, When the Waves Are Gone, also starring Cruz as detective Hermes Papauran, premiered out of competition at the 79th Venice International Film Festival.[55][56][57] It was followed by the prequel Essential Truths of the Lake, which premiered at the 76th Locarno Film Festival in 2023.[58][59]
In 2024, Diaz’s four-hour drama Phantosmia premiered out of competition at the 81st Venice International Film Festival.[60][61] In 2025, Magellan, an international production starring Gael Garcia Bernal as Portuguese explorer Ferdinand Magellan, premiered out of competition at the 78th Cannes Film Festival.[62][63][64] It was selected as the Philippines’ submission at the 98th Academy Awards for Best International Feature Film, Diaz's second after Norte, the End of History.[65]
In 2026, the historical epic Let Us Through, Dear Ancestors premiered out of competition at the 83rd Venice International Film Festival.[66]
Upcoming projects
[edit]Henrico’s Farm, Diaz’s second collaboration with Charo Santos, was first announced in 2017 and filmed in Singapore. It remains unreleased as of 2026.[67][68]
In 2019, Beatriz, The Wife was announced as a nine-hour film centering on Ferdinand Magellan’s titular spouse, before a shorter cut focusing on the explorer was eventually released as Magellan in 2025.[69] In the same year, Diaz was announced to direct Ang Araw ng Itim na Nazareno as a co-production with Spring Films, starring Piolo Pascual.[70][71]
Kawalan, a historical drama set during World War II, was first announced as a work-in-progress in 2024 and is in post-production as of 2026.[72][73]
In 2025, Diaz was announced to direct An Amazon, based on a short story by Alexandre Dumas and slated to be his first film in the English language.[74]
The Sadness of the Portuguese Woman, the third entry in Diaz’s Hermes Trilogy, is set in Portugal and stars Monica Calle as detective Ines Horta. As of 2026, it is in post-production.[75]
In an interview with Variety at the Venice premiere of Let Us Through, Dear Ancestors in 2026, Diaz revealed that he is developing two projects, one on “false prophets” and the other on the making of Jose Rizal’s 1887 novel Noli Me Tangere.[76]
Political views
[edit]Similar to his father, Diaz is a socialist, having expressed admiration for Filipino revolutionaries such as New People's Army leaders Bernabe "Kumander Dante" Buscayno[77] and Gregorio "Ka Roger" Rosal.[78] He has described himself as a "Malay" instead of a Filipino (although he shared in an interview that "Maybe I'm just rhetorical about it"), and wishes to deemphasize national borders in his filmmaking ("I'm branding it as Malay cinema, but it's just about cinema.").[4] Diaz stated that he holds a fatalistic view of life.[4]
In December 2023, alongside 50 other filmmakers, Diaz signed an open letter published in Libération demanding a ceasefire and an end to the killing of civilians amid the 2023 Israeli invasion of the Gaza Strip, and for a humanitarian corridor into Gaza to be established for humanitarian aid, and the release of hostages.[79][80][81]
Personal life
[edit]Diaz has three children. One of his daughters experienced the same disease he had during his childhood, which was soon diagnosed as a condition called dystonia after she enrolled in a study at Columbia University.[5]
In late 2003, he underwent an operation to remove a mass of cancer between his lungs and above his heart, and was assisted by actor Joel Torre in raising funds for his treatment.[82]
Filmography
[edit]Feature films
[edit]| Year | English title | Original title | Credited as | Notes | Length | ||||
|---|---|---|---|---|---|---|---|---|---|
| Director | Writer | Producer | Editor | Cinematographer | |||||
| 1998 | The Criminal of Barrio Concepcion | Serafin Geronimo: Ang Kriminal ng Baryo Concepcion | Yes | Yes | No | No | No | Directorial debut[83] | 132 min (2:12) |
| 1999 | Burger Boys | Yes | No | No | No | No | [84] | 112 min (1:52) | |
| Naked Under the Moon | Hubad sa Ilalim ng Buwan | Yes | Yes | No | No | No | [85] | 110 min (1:50) | |
| 2001 | West Side Avenue | Batang West Side | Yes | Yes | No | No | No | [86] | 315 min (5:15) |
| 2002 | Hesus the Revolutionary | Hesus, Rebolusyonaryo | Yes | Yes | No | No | No | [84] | 112 min (1:52) |
| 2004 | Evolution of a Filipino Family | Ebolusyon ng Isang Pamilyang Pilipino | Yes | Yes | Yes | Yes | No | [87] | 624 min (10:24) |
| 2006 | Heremias (Book One: Legend of the Lizard Princess) | Heremias (Unang Aklat: Ang Alamat ng Prinsesang Bayawak) | Yes | Yes | No | No | No | 519 min (8:39) | |
| 2007 | Death in the Land of Encantos | Kagadanan sa Banwaan ning Mga Engkanto | Yes | Yes | Yes | Yes | Yes | [88] | 541 min (9:01) |
| 2008 | Melancholia | Yes | Yes | Yes | Yes | Yes | Also composer[89] | 447 min (7:27) | |
| 2009 | Butterflies Have No Memories | Walang Alaala ang mga Paru-Paro | Yes | Yes | Yes | Yes | Yes | [90] | 61 min (1:01) |
| 2011 | Century of Birthing | Siglo ng Pagluluwal | Yes | Yes | Yes | Yes | Yes | also composer[91] | 359 min (5:59) |
| Elegy to the Visitor from the Revolution | Elehiya sa Dumalaw Mula sa Himagsikan. | Yes | Yes | Yes | Yes | Yes | [92] | 80 min (1:20) | |
| 2012 | Florentina Hubaldo, CTE | Yes | Yes | Yes | Yes | No | [93] | 366 min (6:06) | |
| 2013 | Norte, the End of History | Norte, Hangganan ng Kasaysayan | Yes | Yes | No | Yes | No | co-written with Rody Vera;[94] Nominated - Best International Film at the 2015 Independent Spirit Awards. Nominated - Un Certain Regard at the 2013 Cannes Film Festival. |
250 min (4:10) |
| 2014 | From What Is Before | Mula sa Kung Ano ang Noon | Yes | Yes | Yes | Yes | Yes | Winner Golden Leopard at the 2014 Locarno Film Festival[94] | 339 min (5:39) |
| Storm Children: Book One | Mga Anak ng Unos: Unang Aklat | Yes | Yes | Yes | Yes | Yes | Documentary[95] | 143 min (2:23) | |
| 2016 | A Lullaby to the Sorrowful Mystery | Hele sa Hiwagang Hapis | Yes | Yes | Yes | Yes | No | Premiered at 2016 Berlin Film Festival In Competition[96] | 489 min (8:09) |
| The Woman Who Left | Ang Babaeng Humayo | Yes | Yes | Yes | Yes | Yes | Adapted from the short story "God Sees the Truth, But Waits" by Leo Tolstoy. Winner Golden Lion at the 2016 Venice Film Festival[97] |
229 min (3:49) | |
| 2018 | Season of the Devil | Ang Panahon ng Halimaw | Yes | Yes | Yes | Yes | No | Also composer. Premiered at 2018 Berlin Film Festival in Competition |
234 min (3:54) |
| 2019 | The Halt | Ang Hupa | Yes | Yes | Yes | Yes | No | [98] | 283 min (4:43) |
| 2020 | Genus Pan | Lahi, Hayop | Yes | Yes | Yes | Yes | Yes | Re-edited material from an abandoned 2014 feature film. | 157 min (2:37) |
| 2021 | History of Ha | Historya ni Ha | Yes | Yes | Yes | Yes | Yes | [99] | 273 min (4:33) |
| 2022 | A Tale of Filipino Violence | Isang Salaysay ng Karahasang Pilipino | Yes | Yes | Yes | Yes | Yes | Adapted from Ricardo Lee's short story and screenplay of "Servando Magdamag"; premiered at FIDMarseille. | 409 min (6:49) |
| When the Waves Are Gone | Kapag Wala Nang Mga Alon | Yes | Yes | Yes | Yes | No | Premiered at the 79th Venice International Film Festival, out of competition | 187 min (3:07) | |
| 2023 | Essential Truths of the Lake | Yes | Yes | No | Yes | Yes | Premiered at the 76th Locarno Film Festival | 215 min (3:35) | |
| 2024 | Phantosmia | Yes | Yes | Yes | Yes | Yes | Premiered at the 81st Venice International Film Festival, out of competition[100] | 245 min (4:05) | |
| 2025 | Magellan | Magalhães | Yes | Yes | No | Yes | Yes | Premiered at the 2025 Cannes Film Festival[101] | 156 min (2:36) |
| 2026 | Let Us Through, Dear Ancestors | Makikiraan po | Yes | Yes | TBA | TBA | TBA | Premiere at the 83rd Venice International Film Festival[102] | 147 min (2:27) |
| TBA | Kawalan | Yes | Yes | N/a | Yes | Yes | Post-production[103] | ||
| Henrico's Farm | Ang Saka ni Henrico | Yes | Yes | N/a | Yes | Yes | Post-production[104] | ||
| An Amazon | Yes | Yes | N/a | N/a | N/a | Pre-production, first work in English[105] | |||
Omnibus films
[edit]| Year | Title | Segment | Notes |
|---|---|---|---|
| 2006 | Imahe Nasyon | "Nang Matapos ang Ulan" | Anthology film to commemorate the 20th anniversary of the People Power Revolution, with all segments starring Pen Medina.[106] |
| 2009 | Visitors | "Walang Alaala ang Mga Paruparo" | A short version was commissioned for the 2009 Jeonju International Film Festival. Visitors also features segments by Naomi Kawase and Hong Sang-soo.[107] |
| 2013 | Venice 70: Future Reloaded | "Ang Alitaptap" | Commissioned for the 70th Venice International Film Festival.[108] |
| 2015 | Fragment | "Ang Araw Bago ang Wakas" | Commissioned by the Asian Film Archive for their 10th anniversary.[109][110] |
| 2018 | Lakbayan | "Hugaw" | Also features segments by Brillante Mendoza and Kidlat Tahimik[111] |
| 2019 | 30th anniversaire of FIDMarseille | "Marta" | Commissioned for the 30th anniversary of FIDMarseille |
| 2020 | Liminal | "Malamig ang Mundo" | Commissioned by the UNAM International Film Festival (FICUNAM) alongside Manuela de Laborde, Oscar Enriquez, and Philippe Grandrieux.[112] |
Short films
[edit]| Year | English title | Original title | Notes |
|---|---|---|---|
| 2013 | Prologue to the Great Desaparecido | Prologo sa ang Dakilang Desaparecido | Preview for Diaz's then-upcoming feature film The Great Desaparecido,[113] elements of which were later included in A Lullaby to the Sorrowful Mystery, about Gregoria de Jesus's search for her husband Andres Bonifacio's remains.[114] |
| 2018 | The Boy Who Chose the Earth | Two-minute trailer for the 56th Vienna International Film Festival.[115] | |
| 2020 | Himala: Isang Diyalektika ng Ating Panahon | Eight-minute reaction video to the 1982 film Himala, screened during the Gabi ng Himala online fundraising event to help Filipino film crew affected by the COVID-19 pandemic.[116] | |
| 2024 | Faith | Faith | One-minute trailer for the Austrian Film Museum on its 60th anniversary.[117] |
Writer only
[edit]| Year | Title | Notes |
|---|---|---|
| 1991 | Mabuting Kaibigan, Masamang Kaaway | Co-written with Tony Mortel, Jose F. Bartolome and Manny Buising; directed by Augusto Salvador[78] |
| 1991 | Daddy Goon | Co-written with Jose F. Bartolome and Rodolfo T. Meyer; directed by Rudy Meyer |
| 1993 | Galvez: Hanggang sa Dulo ng Mundo Hahanapin Kita | Co-written with Henry Nadong; directed by Manuel Fyke Cinco |
| 2013 | Alamat ni China Doll | Directed by Adolfo Alix Jr.[118] |
| 2019 | Mañanita | Directed by Paul Soriano[119][120] |
Selected acting roles and documentary appearances
[edit]Film
[edit]| Year | Title | Role | Notes |
|---|---|---|---|
| 2004 | Pugot | Taga | Directed by Khavn[121][122][123][124] |
| Todo Todo Teros | Himself | Directed by John Torres[125] | |
| 2007 | Green Rocking Chair | Himself | Directed by Roxlee |
| 2009 | Independencia | Townspeople | Directed by Raya Martin |
| Manila | Director | Directed by Adolfo Alix Jr. and Raya Martin | |
| Himpapawid | Cameo | Directed by Raymond Red | |
| 2010 | Philippine New Wave: This Is Not a Film Movement | Himself | Documentary |
| 2012 | Colossal | Shaman | Directed by Whammy Alcazaren[126] |
| 2014 | Echoserang Frog | Himself | Directed by Joven Tan[127] |
| Lorna | Rodolfo | Directed by Sigrid Andrea Bernardo | |
| 2015 | The Last Pinoy Action King | Himself | Documentary |
| Salvage | Nilalang | Directed by Sherad Anthony Sanchez | |
| 2016 | Singing in Graveyards | Paul | Directed by Bradley Liew |
| Lily | Drunk Man | Directed by Keith Deligero | |
| 2019 | Habambuhay: Remembering Philippine Cinema | Himself | Documentary |
| 2024 | Schirkoa: In Lies We Trust | Poet (voice) | Directed by Ishan Shukla[128] |
| Makamisa: Phantasm of Revenge | Kristo Kastrado | Directed by Khavn[129] | |
| Real Life Fiction | Pawnshop Owner | Directed by Paul Soriano[130] | |
| Moneyslapper | Lucas | Directed by Bor Ocampo[131] | |
| Cinemartyrs | Kristo | Directed by Sari Dalena[132] | |
| TBA | The Sacrifice | Pilo | Post-production[133] |
Television
[edit]| Year | Title | Role | Notes |
|---|---|---|---|
| 2026 | Call My Manager | Self | Episode 5 |
Television
[edit]| Year | Title | Credited as | Notes | Ref(s). | |
|---|---|---|---|---|---|
| Director | Writer | ||||
| 1989, 1991 |
Balintataw | No | Yes | "Iskolar" two-part episode; "Lenny" episode | [134][135] |
Awards and nominations
[edit]Notes
[edit]- ↑ Sources frequently mentioned Datu Paglas in Maguindanao del Sur as his birthplace but Diaz's birth preceded its split from Columbio.
References
[edit]- 1 2 3 4 Dormiendo, Gino (December 7, 2000). "Lav Diaz vs mediocrity". Manila Standard. The Philippine Daily Inquirer, Inc. p. A30. Retrieved July 17, 2024.
- ↑ Lachica, Veneranda S. (1994). Komunikasyon at Linggwistika (in Filipino). Manila, Philippines: Rex Book Store. p. 115. ISBN 971-23-1614-9. Retrieved November 4, 2022 – via Google Books.
...isinulat ni Lav Indico Diaz na nagtatago sa sagisag na Bahagharing Timog.
- ↑ Diaz, Lav (September 19, 1988). "Talagang nakakatakot". Manila Standard (in Filipino). Manila Standard News, Inc. Retrieved April 19, 2020.
- 1 2 3 4 5 6 7 Mai, Nadin (January 15, 2016). "Lav Diaz: Slow Burn". Guernica Magazine. Retrieved August 25, 2026.
- 1 2 3 4 5 6 Quito, Gil (2019). "Lav Diaz: New Directions in World Cinema". In Del Mundo Jr., Clodualdo (ed.). Direk: Essays on Filipino Filmmakers. Manila: De La Salle University Publishing House. pp. 268, 331.
- ↑ Mendizabal, Adrian D. (2021). "Early Periods: The Emergence of Lav Diaz's Long Durational Style". Pelikula: A Journal of Philippine Cinema. 6: 99–101.
- ↑ Red, Isah V. (July 25, 1999). "The truth about FPJ". Kamahalan Publishing Corp. p. 18. Retrieved July 3, 2023.
- 1 2 Vera, Noel (May 6, 2005). "Portrait of the anguished as Filipino". Ekran Review for Film and Television. 30 (XLII).
- ↑ Cockrell, Eddie. "The Criminal of Barrio Concepcion". Variety. Retrieved September 30, 2026.
- ↑ Cockrell, Eddie. "Naked Under the Moon". Variety. Retrieved September 30, 2026.
- ↑ Guarneri, Michael. "Long Story Long: An Introduction to Lav Diaz's "Free Cinema"". Mubi. Retrieved September 30, 2026.
- ↑ Carballo, Bibsy M. "All about Lav". Philippine Star. Retrieved September 30, 2026.
- ↑ Scheib, Ronnie. "Batang West Side". Variety. Retrieved September 30, 2026.
- ↑ Vera, Noel. "Ready for the longest film in Philippine history?". Philippine Star. Retrieved September 30, 2026.
- ↑ Jaucian, Don. "New 'Batang West Side' Trailer Drops Ahead of North American Release". Rolling Stone Philippines. Retrieved September 30, 2026.
- ↑ Wee, Brandon. "The Decade of Living Dangerously: A Chronicle from Lav Diaz". Senses of Cinema. Retrieved September 30, 2026.
- ↑ Koehler, Robert. "Evolution of a Filipino Family". Variety. Retrieved September 30, 2026.
- ↑ "Heremias (Book One: The Legend of the Lizard Princess)". IFFR. Retrieved September 30, 2026.
- ↑ Reichert, Jeff. "Time to Kill". Reverse Shot. Retrieved September 30, 2026.
- ↑ Scheib, Ronnie. "Death in the Land of Encantos". Variety. Retrieved September 30, 2026.
- ↑ Koehler, Robert. "Spotlight: Death in the Land of Encantos (Lav Diaz, The Philippines)". Cinema Scope. Retrieved September 30, 2026.
- ↑ Scheib, Ronnie. "Melancholia". Variety. Retrieved September 30, 2026.
- ↑ "Melancholia". IFFR. Retrieved September 30, 2026.
- ↑ San Diego, Bayani Jr. "A Lav affair with Venice". Philippine Daily Inquirer. Retrieved September 30, 2026.
- ↑ De Corinth, Henri. "The Same River Thrice: Close-Up on Lav Diaz's "Elegy to the Visitor from the Revolution"". Mubi. Retrieved September 30, 2026.
- ↑ "Cheer Factor: Lav Diaz wins in Jeonju". Philippine Daily Inquirer. Retrieved September 30, 2026.
- ↑ "Florentina Hubaldo, CTE". IFFR. Retrieved September 30, 2026.
- ↑ Ferdman, Veronika. "Lullaby of Memory: Close-Up on "An Investigation on the Night That Won't Forget"". Mubi. Retrieved September 30, 2026.
- ↑ Scott, A. O. "Rays of Humanity in a Vile World". New York Times. Retrieved September 30, 2026.
- ↑ "Norte, The End of History (Norte, Hangganan ng Kasaysayan): Cannes Review". The Hollywood Reporter. Retrieved September 30, 2026.
- ↑ Reichert, Jeff. "All You Need Is Lav". Reverse Shot. Retrieved September 30, 2026.
- ↑ Anderson, Ariston. "Oscars: Philippines Select 'Norte, The End of History' for Foreign-Language Category". The Hollywood Reporter. Retrieved September 30, 2026.
- ↑ Blaney, Martin. "Lav Diaz's From What Is Before wins top Locarno prize". Screen Daily. Retrieved September 30, 2026.
- ↑ Chang, Justin. "Film Review: 'From What Is Before'". Variety. Retrieved September 30, 2026.
- ↑ Nery, Robert. "An Ideal Patience: On Lav Diaz and From What Is Before". Senses of Cinema. Retrieved September 30, 2026.
- ↑ Rosser, Michael. "MUBI acquires Lav Diaz's 'From What Is Before'". Retrieved September 30, 2026.
- ↑ San Diego, Bayani Jr. "Typhoon films make debut on big screen". Philippine Daily Inquirer. Retrieved September 30, 2026.
- ↑ Scheib, Ronnie. "Film Review: 'Storm Children, Book One'". Variety. Retrieved September 30, 2026.
- ↑ "Berlin film festival: director defends eight-hour movie that features hour-long lunch break". The Guardian. Retrieved September 30, 2026.
- ↑ Meza, Ed. "Berlin: 'Fire at Sea' Wins Golden Bear for Best Film". Variety. Retrieved September 30, 2026.
- ↑ Gragasin, Angeline. "The Woman Who Left". Screen Slate. Retrieved September 30, 2026.
- ↑ Hoberman, J. "Lav Diaz and Pedro Costa: Slow Cinema on the Cutting Edge". New York Times. Retrieved September 30, 2026.
- ↑ Tartaglione, Nancy. "Venice Film Festival: Golden Lion To 'The Woman Who Left'; Tom Ford's 'Nocturnal Animals', Emma Stone Take Major Prizes – Full List". Deadline. Retrieved September 30, 2026.
- ↑ "Lav Diaz, Brillante Mendoza invited to U.S. Film Academy". Rappler. July 4, 2017. Retrieved July 14, 2024.
- ↑ "Marcos-era musical resonates with modern Philippines, Lav Diaz says". Interaksyon. Retrieved September 30, 2026.
- ↑ Pond, Steve. "Directors' Fortnight Announces Lineup, 16 Directors to Make Cannes Debut". The Wrap. Retrieved September 30, 2026.
- ↑ Linnarz, Rouven. "Interview with Lav Diaz: "If you psychoanalyze the whole set-up of leadership in the world, there is psychosis everywhere."". Asian Movie Pulse. Retrieved September 30, 2026.
- ↑ Lo, Ricky. "Lav Diaz wins best director in Venice filmfest". Philippine Star. Retrieved September 28, 2026.
- ↑ Hyun, Jin Cho. "An interview with Lav Diaz, the Filipino master of slow cinema". BFI. Retrieved September 28, 2026.
- ↑ Hunt, A. E. ""My Faith (and It's Not Catholic) In My Cinema Remains Pure": Lav Diaz on Genus Pan". Filmmaker Magazine. Retrieved September 28, 2026.
- ↑ Soria, Josep Santcristofol. "Lav Diaz interview: "Existence is a euphemism for compromise. Period."". Eastern Kicks. Retrieved September 28, 2026.
- ↑ Nolisoli. "Lav Diaz's new 4hr film stars mustachioed John Lloyd Cruz as a 1950s ventriloquist/disillusioned Marxist". Philippine Daily Inquirer. Retrieved September 28, 2026.
- ↑ "Isang Salaysay ng Karahasang Pilipino". FID Marseille. Retrieved September 28, 2026.
- ↑ De Jesus, Totel V. "Was Lav Diaz 'censored' at Cinemalaya?". Philippine Daily Inquirer. Retrieved September 28, 2026.
- ↑ Hopewell, John. "Locarno, Venice Winner Lav Diaz's 'When the Waves Are Gone' Raises Bar for Filipino Auteur". Variety. Retrieved September 28, 2026.
- ↑ Bogatin, Joshua. "Am I Really Doing Cinema?: An Interview with Lav Diaz". In Review. Retrieved September 28, 2026.
- ↑ Nepales, Ruben V. "Lav Diaz, Golden Lion Winner, Returns to Venice with Film on Philippines' 'Bloody Extra-Judicial Killings'". Golden Globes. Retrieved September 28, 2026.
- ↑ Hopewell, John. "Films Boutique Swoops on Lav Diaz's 'Essential Truths of the Lake,' in Locarno Main Competition (EXCLUSIVE)". Variety. Retrieved September 28, 2026.
- ↑ Balaga, Marta. "Lav Diaz Talks 'Psycho' Duterte, Marcos and Upcoming 'Essential Truths of the Lake:' 'I Am Aware of the Danger'". Variety. Retrieved September 28, 2026.
- ↑ Barraclough, Leo. "Lav Diaz's 'Phantosmia' Debuts Trailer Ahead of Venice Premiere (EXCLUSIVE)". Variety. Retrieved September 28, 2026.
- ↑ Nepales, Janet Susan R. "Lav Diaz, cast talk about their Venice Film Festival-bound film 'Phantosmia'". GMA News Online. Retrieved September 28, 2026.
- ↑ MacNab, Geoffrey. "'Magellan' is Lav Diaz's most ambitious film yet – and he's already assembled a sequel about the Portuguese explorer's wife". Screen Daily. Retrieved September 28, 2026.
- ↑ Bogatin, Joshua. "A Language of Static Shots: A Conversation with Lav Diaz". Screen Slate. Retrieved September 28, 2026.
- ↑ Polanski, Joshua. "I Want to Speak in My Sovereign Tongue: An Interview with Lav Diaz on Magellan". In Review. Retrieved September 28, 2026.
- ↑ Merican, Sara. "Lav Diaz's 'Magellan' Selected As The Philippines' Oscar Entry For Best International Feature". Deadline. Retrieved September 28, 2026.
- ↑ Wiseman, Andreas. "Lav Diaz's Venice Title 'Let Us Through, Dear Ancestors' Boarded By Heretic For Sales". Deadline. Retrieved September 28, 2026.
- ↑ San Diego, Bayani Jr. "Lav Diaz teams up with Charo Santos again". Philippine Daily Inquirer. Retrieved September 28, 2026.
- ↑ Yusof, Helmi. "Director who shoots with no frills". The Business Times. Retrieved September 28, 2026.
- ↑ Goodfellow, Melanie. "Lav Diaz Hints At Cannes Debut For Ferdinand Magellan Film With Gael García Bernal; Reveals Near-Death Experience: "It Became A Personal Journey To Understanding Immortality"". Deadline. Retrieved September 28, 2026.
- ↑ "POSTERS: 'AlEmpoy' in Paris among 13 new Spring Films offerings". ABS-CBN News. Retrieved September 28, 2026.
- ↑ Cruz, Marinel R. "Why Piolo, at 42, prefers to do movies than TV soaps". Philippine Daily Inquirer. Retrieved September 28, 2026.
- ↑ Ramachandran, Naman. "Philippines Veteran Lav Diaz Says 'Humanity Has Miserably Failed' in HAF Work-in-Progress Film 'Kawalan'". Variety. Retrieved September 28, 2026.
- ↑ Nepales, Ruben V. "Lav Diaz teaches International Filmmaking master class in Italy". Philippine Daily Inquirer. Retrieved September 28, 2026.
- ↑ Barraclough, Leo. "Lav Diaz to Direct 'An Amazon' With Sine Olivia Pilipinas and Silverbelt Films Producing (EXCLUSIVE)". Variety. Retrieved September 28, 2026.
- ↑ Vourlias, Christopher. "Lav Diaz on the Hunt for Truth in 'An Entry Into the Sadness of a Portuguese Woman,' Third Chapter of His Acclaimed Hermes Trilogy (EXCLUSIVE)". Variety. Retrieved September 28, 2026.
- ↑ Ramachandran, Naman. "Lav Diaz Preps False Prophets Film and Jose Rizal's 'Noli Me Tangere' Adaptation, Unpacks Venice Title 'Let Us Through, Dear Ancestors' (EXCLUSIVE)". Variety. Retrieved September 28, 2026.
- ↑ Diaz, Lav (September 5, 1988). "Rambo ng masa" [Rambo of the masses]. Manila Standard (in Filipino). Standard Publications, Inc. p. 15. Retrieved January 20, 2023.
Nakakaloko kasing si Dante pa ang narrator ng pelikula.
- 1 2 De Jesus, Totel V. (November 14, 2024). "'I'm making films until I die': The day I shot Lav Diaz". The Diarist. Retrieved March 15, 2026.
Excerpts from our 2008 interview...
- ↑ "Gaza : des cinéastes du monde entier demandent un cessez-le-feu immédiat". Libération (in French). December 28, 2023. Retrieved January 24, 2024.
- ↑ Newman, Nick (December 29, 2023). "Claire Denis, Ryusuke Hamaguchi, Kiyoshi Kurosawa, Christian Petzold, Apichatpong Weerasethakul & More Sign Demand for Ceasefire in Gaza". The Film Stage. Retrieved January 24, 2024.
- ↑ "Directors of cinema sign petition for immediate ceasefire". The Jerusalem Post. December 31, 2023. Retrieved January 24, 2024.
- ↑ Torre, Nestor U. (December 4, 2003). "Traffic rerotting scheme and other boob-tube booboos". Philippine Daily Inquirer. Vol. 18, no. 359. p. A28. Retrieved August 25, 2026.
- ↑ Grenier, Pascal (September 15, 2016). "3 Films by Lav Diaz". Cinetalk.net. Archived from the original on April 20, 2017. Retrieved April 15, 2017.
- 1 2 Tioseco, Alexis A. (January 30, 2006). "A Conversation with Lav Diaz". Criticine. Retrieved April 15, 2017.
- ↑ Cockrell, Eddie (May 8, 2000). "Review: Naked Under the Moon". Variety. Retrieved April 15, 2017.
- ↑ Scheib, Ronnie (July 31, 2002). "Review: Batang West Side". Variety. Retrieved April 15, 2017.
- ↑ Koehler, Robert (September 28, 2004). "Review: Evolution of a Filipino Family". Variety. Retrieved April 15, 2017.
- ↑ Scheib, Ronnie (October 2, 2007). "Review: Death in the Land of Encantos". Variety. Retrieved April 15, 2017.
- ↑ Scheib, Ronnie (September 29, 2008). "Review: Melancholia". Variety. Retrieved April 15, 2017.
- ↑ "Butterflies Have No Memories". filmaffinity.com. Film Affinity. Retrieved April 15, 2017.
- ↑ Koehler, Robert (October 2, 2011). "Review: Century of Birthing". Variety. Retrieved April 15, 2017.
- ↑ Cruz, Oggs (September 11, 2011). "Elegy to the Visitor from the Revolution". Screen Anarchy. Retrieved April 15, 2017.
- ↑ "Day 5 – Florentina Hubaldo, CTE (Diaz)". The Art of Slow Cinema. December 5, 2013. Retrieved April 15, 2017.
- 1 2 Chang, Justin (September 5, 2014). "Film Review: From What Is Before". Variety. Retrieved April 15, 2017.
- ↑ Tsui, Clarence (January 19, 2015). "Storm Children, Book One (Mga Anak ng Unos, Unang Aklat): Rotterdam Review". The Hollywood Reporter. Retrieved April 15, 2017.
- ↑ Lodge, Guy (September 9, 2016). "Berlin Film Review: A Lullaby to the Sorrowful Mystery". Variety. Retrieved April 15, 2017.
- ↑ Lodge, Guy (September 9, 2016). "Film Review: The Woman Who Left". Variety. Retrieved April 15, 2017.
- ↑ Romney, Jonathan (May 24, 2019). "'The Halt': Cannes Review". Screen Daily. Media Business Insight Limited. Retrieved July 22, 2019.
- ↑ "Lav Diaz's language of love this Valentine's Day: a John Lloyd movie you can stream for free". ABS-CBN News. February 24, 2022.
- ↑ Nepales, Ruben (July 23, 2024). "Lav Diaz makes it to Venice Film Festival for 8th time with 'Phantosmia'". Rappler. Retrieved July 24, 2024.
- ↑ Goodfellow, Melanie (April 6, 2025). "Lav Diaz Hints At Cannes Debut For Ferdinand Magellan Film With Gael García Bernal; Reveals Near-Death Experience: "It Became A Personal Journey To Understanding Immortality"". Deadline. Retrieved April 6, 2025.
- ↑ "Biennale Cinema 2026 | Makikiraan po (Let us through, dear ancestors)". La Biennale di Venezia. July 20, 2026. Retrieved July 23, 2026.
- ↑ Ramachandran, Naman (September 5, 2026). "Lav Diaz Preps False Prophets Film and Jose Rizal's 'Noli Me Tangere' Adaptation, Unpacks Venice Title 'Let Us Through, Dear Ancestors' (EXCLUSIVE)". Variety. Retrieved September 5, 2026.
- ↑ Balaga, Marta (July 19, 2023). "Lav Diaz Talks 'Psycho' Duterte, Marcos and Upcoming 'Essential Truths of the Lake:' 'I Am Aware of the Danger'". Variety. Retrieved September 5, 2026.
- ↑ Purnell, Kristofer. "Lav Diaz sets Alexandre Dumas adaptation as next film to be shot in Philippines". The Philippine Star. Retrieved June 6, 2025.
- ↑ Dimaculangan, Jocelyn. ""Imahe Nasyon" to be screened on January 24 at IndieSine". PEP.ph. Retrieved March 16, 2026.
- ↑ Gronvall, Andrea. "Visitors (Jeonju Digital Projects 2009)". Chicago Reader. Retrieved March 16, 2026.
- ↑ Lyman, Eric J. "Venice Film Fest Announces New 'Future Reloaded' Section of Ultra-Short Shorts". Hollywood Reporter. Retrieved March 15, 2026.
- ↑ "ASIAN FILM ARCHIVE" (PDF).
- ↑ "Ang Araw Bago ang Wakas". viennale.at. Vienna International Film Festival. Retrieved April 15, 2017.
- ↑ Tsui, Clarence (October 25, 2018). "'Lakbayan': Film Review | Tokyo 2018". Hollywood Reporter. Retrieved September 12, 2019.
- ↑ "Liminal". FIDMarseille. Retrieved March 15, 2026.
- ↑ "Prologue to the Great Desaparecido". International Film Festival Rotterdam. Retrieved March 16, 2026.
- ↑ Hopewell, John. "Stone's 'Untold History,' Re-cut 'Alexander' for San Sebastian". Variety. Retrieved March 16, 2026.
- ↑ "Viennale-Trailer 2018: The Boy Who Chose the Earth". Viennale. Retrieved March 16, 2026.
- ↑ Cruz, Marinel. "Star-studded 'Gabi ng Himala' targets plight of film workers affected by pandemic". Philippine Daily Inquirer. Retrieved March 16, 2026.
- ↑ "Filmmuseum - Trailer". Austrian Film Museum. Retrieved March 16, 2026.
- ↑ "Legend of China Doll". International Film Festival Rotterdam. Retrieved March 15, 2026.
- ↑ Cruz, Marinel R. "Lav Diaz wrote song, 8-page script for 'Mañanita'". Philippine Daily Inquirer. Retrieved March 15, 2026.
- ↑ Lo, Ricky (October 21, 2019). "Why it took Paul Soriano 3 years to produce Mañanita". Philstar.com. Retrieved December 17, 2025.
- ↑ "Headless". International Film Festival Rotterdam. Retrieved March 15, 2026.
- ↑ Slater, Ben (May 10, 2004). "Asian Indies Make Impact Amidst Censorship At Singapore's 17th Film Fest". IndieWire. Retrieved January 19, 2026.
- ↑ Tioseco, Alex (February 2005). "Family Meals, Family Values, and Philippine Cinema: An Interview with Independent Filmmaker Khavn De la Cruz". Senses of Cinema. Retrieved January 19, 2026.
Last October 2003, Indiefilipino.com held two screenings of Khavn's films Memory Before Dawn (Alaala Ng Madaling Araw) (1996) and Headless (Pugot) (2002)[...]
- ↑ "Headless (Pugot)". Asian Film Archive. Retrieved January 19, 2026.
- ↑ Nelson, Max. "Each Memory Creates Its Own Legend: The Films of John Torres". Cinema Scope. Retrieved March 15, 2026.
- ↑ Alcazaren, Paulo. "A giant indie film". Philippine Star. Retrieved March 15, 2026.
- ↑ Cruz, Oggs. "'Echoserang Frog' Review: Discreet charm, clever conceit". Rappler. Retrieved March 15, 2026.
- ↑ "Schirkoa: In Lies We Trust". International Film Festival Rotterdam. Retrieved March 15, 2026.
- ↑ De Jesus, Totel V. "From Kamias Road to Europe: On the set with filmmaker Khavn de La Cruz". The Diarist. Retrieved March 15, 2026.
- ↑ Vibas, Danny. "'Real Life Fiction' faces off with SB19 documentary at the box-office". Daily Tribune. Retrieved March 15, 2026.
- ↑ Baltar, Lé. "The 7-year highs, lulls of John Lloyd Cruz-starrer 'Moneyslapper' en route to premiere". Rappler. Retrieved March 15, 2026.
- ↑ Mallorca, Hannah. "Sari Dalena on retelling forgotten massacres in Cinemalaya film 'Cinemartyrs'". Philippine Daily Inquirer. Retrieved March 15, 2026.
- ↑ Ramachandran, Naman. "Lav Diaz Opens Up About Rare Acting Role in Psychological Horror 'The Sacrifice,' First Look Unveiled (EXCLUSIVE)". Variety. Retrieved March 15, 2026.
- ↑ "'Iskolar' in Balintataw". Manila Standard. Manila Standard News, Inc. January 24, 1989. p. 16. Retrieved July 3, 2023.
Written by Lav Diaz.
- ↑ "Remembering Lenny and His Fraternity". Manila Standard. Kamahalan Publishing Corp. December 29, 1991. p. 20. Retrieved July 3, 2023.
The script was written by Marcelino Cavestany and Lav Diaz...
- ↑ "Batang West Side".
- ↑ "2002: SGIFF 15".
- ↑ "Heremias (Book One: Legend of the Lizard Princess)".
- ↑ "Heremias (Book One: Legend of the Lizard Princess)".
- ↑ "Lav Diaz – Orizzonti Winner: Best Director, Genus Pan, 2020".
- ↑ "Lav Diaz's 'Kapag Wala Nang Mga Alon' at the Venice Film Festival".
- ↑ "Melancholia".
- ↑ "Indie director Lav Diaz wins in Toronto fest".
- ↑ "FILIPINO ENTRY WINS BEST FILM AT JEONJU FEST".
- ↑ "Norte, Hangganan Ng Kasaysayan".
- ↑ "Filipino Director Lav Diaz Takes Home Top Prize in Locarno". The Hollywood Reporter. August 16, 2014.
- ↑ "Eight-hour Berlin film focuses on Philippines revolution". Reuters. February 18, 2016.
- ↑ "Lav Diaz's 'Hele Sa Hiwagang Hapis' wins big at Berlin Int'l Film Festival". Archived from the original on September 4, 2021. Retrieved September 4, 2021.
- ↑ "The Woman Who Left wins Venice film festival as Nocturnal Animals runnerup". TheGuardian.com. September 10, 2016.
- ↑ "Ang Panahon ng Halimaw | Season of the Devil | in Zeiten des Teufels".
- ↑ "Lav Diaz wins Best Director at Venice Film Fest's Orizzonti section". BusinessWorld. September 14, 2020.
- ↑ "IFFI 2022 winners list: I Have Electric Dreams wins big".
- ↑ "The 70th Seminci awards the Golden Spike to 'The Mastermind' and 'Magallanes' ex aequo".
- ↑ Purnell, Kristofer. "Lav Diaz surprise film wins at Venice Film Festival". Philstar.com. Retrieved September 15, 2026.
Further publications
[edit]- Diaz, Lav. Batang West Side, Edition Filmmuseum, 2-disc set, 2022 Österreichisches Filmmuseum
- Guarneri, Michael. Conversations with Lav Diaz. Piretti - Bologna - 2021
- Corinne Maury, Olivier Zuchuat (dir.), Lav Diaz : faire face, Paris, Post Editions, 2022, 365 p.
- Corinne Maury, Olivier Zuchuat (eds.), The Transformative Cinema of Lav Diaz. Aesthetics, Resistance and Resilience, Routledge, coll. "Critical Asian Cinema", 2026, 188 p.