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Plik:Paris, Triumphbogen -- 2014 -- 1624.jpg

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    Plik Paris, Triumphbogen -- 2014 -- 1624.jpg znajduje się w Wikimedia Commons – repozytorium wolnych zasobów. Dane z jego strony opisu znajdują się poniżej.

    Opis

    Opis
    Deutsch: Triumphbogen (Arc de Triomphe de l’Étoile), Paris, Frankreich
    English: Arc de Triomphe de l’Étoile, Paris, France
    Français : Arc de Triomphe de l’Étoile, Paris, France

    This building is inscrit au titre des monuments historiques de la France. It is indexed in the base Mérimée, a database of architectural heritage maintained by the French Ministry of Culture, under the reference PA00088804 .

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    Adres
    InfoField
    Arc de Triomphe de l’Étoile
    Place Charles de Gaulle
    75008 Paryż
    Francja
    Miejsce
    InfoField
    		France 8. dzielnica Paryża ◁ Paryż ◁ arrondissement of Paris ◁ Île-de-France ◁ Francja ◁ Europa
    Przedstawia
    InfoField
    		Łuk Triumfalny w Paryżu – monumentalny pomnik w Paryżu
    Specyfikacja Techniczna
    InfoField
    16 mm, f/8, 1/125 s, ISO 100
    Aparat fotograficznyCanon EOS 70D
    Obiektyw fotograficznyEF-S15-85mm f/3.5-5.6 IS USM
    Ogniskowa16 mm
    Czas ekspozycji1/125 s
    Przysłona fotograficznaf/8
    ISO speedISO 100
    Aperture2 mm
    Angular aperture
    (Original image)    		80.3°
    Dane obrazu
    InfoField
    10.4 Mpx, 3500 × 2983 px 
    Image resolution10.4 Mpx
    Szerokość × Wysokość3500 × 2983 px
    Format arkusza
    Dpi:300 dpi240 dpi150 dpi72 dpi50 dpi
    Rozmiar:296 × 253 mm370 × 316 mm593 × 505 mm1235 × 1052 mm1778 × 1515 mm
    Odległość:20 cm30 cm50 cm150 cm300 cm
    Format plikuJPEG File Interchange Format
    Bit depth8 Bit
    Rozmiar pliku4.6 MiB
    Format obrazu≈7:6 (wartość liczbowa: ≈1.17)
    Przestrzeń barwsRGB
    WyróżnieniaGrafiki wysokiej jakości
    Data Zdjęcie wykonano 9 lipca 2014, 16:18
    Źródło Praca własna
    Autor
    Dietmar Rabich (1962–)  wikidata:Q34788025
     
    Dietmar Rabich
    Opis niemiecki matematyk, fotoamator, wikipedysta, wikimedianin, nauczyciel i free-license photographer
    Data urodzenia 1962 Edytuj to na Wikidanych
    Miejsce urodzenia Nadrenia Północna-Westfalia Edytuj to na Wikidanych
    Okres działalności około  Edytuj to na Wikidanych–
    Miejsce działalności
    Münsterland; Münster; Dülmen Edytuj to na Wikidanych
    Wykaz autorytatywny
    creator QS:P170,Q34788025
    User page of the creator
    Talk page of the creator
    Licencja
    (Ponowne użycie tego pliku)
    Dieser Text und viele andere auch sind ebenso in deutscher Sprache verfügbar. Um diese sehen zu können, wähle bitte auf dieser Webseite die Spracheinstellung „Deutsch“.
    I. Licence
    This photograph is protected by copyright law. However, it may be used for free by anyone, provided it is used in accordance with the license Creative Commons License “Attribution-ShareAlike 4.0 International” (CC BY-SA 4.0). These include, among other things, the naming of the author and the license, as well as the setting of a link to the license text or its complete imprint. The attribution should be done as follows:
    Please read the text of the license carefully before using the photograph. If you do not agree with the conditions of the license or if you do not understand these conditions, please refrain from using the photo. If you have any questions regarding the license or the reuse of the image, please contact me before using it. If you do not comply with the terms of the license, you do not acquire any right to use the image. If you need another license to use, please contact the author before using.
    For informations about the licence see section Licencja or as human-readable summary or as full licence text at Creative Commons. In addition to the above, a link to the source - so this page with the descriptions and license terms - is appreciated. More information or examples of use can be found at re-use (with example file). The Attribution Generator is helpful in licensing matters.
    Generate License Attribution 
    As an alternative to the Creative Commons License CC BY-SA 4.0, the Free Art License (from version 1.3) may also be used.
    II. Fairness
    From printed materials and other tangible products that use that work, the user is asked to send a copy to the author as thank you. However, this is not a condition for the use of the photo, but a voluntary service. The mailing address can be requested via the contact options.
    Please note that the author had quite considerable effort to draw up this file. Thus, it is only fair to comply with the conditions of free licenses listed here. In the case of violation of the license conditions, the rights granted hereunder will expire automatically.
    III. Disclaimer
    Please note that the rights granted under the license apply exclusively to the photograph itself, but not to the rights of third parties — such as copyrights or property rights in the object depicted or the personal rights of any individuals who may be depicted. (See licences and non-copyright restrictions.) I do not grant any warranty that the subsequent use of the photograph is legally possible concerning the object or person shown in the photograph. You are responsible to check and respect these rights in the publication in the respective medium or country.
    The author is not responsible for the accuracy of the information contained herein (description, title, etc.). Likewise, the author assumes no liability for further use. Please note the general disclaimer and please read reusing content outside Wikimedia too.
    IV. Contact
    Uznanie autorstwa
    (wymagana przez licencję)
    InfoField
    		Dietmar Rabich / Wikimedia Commons / „Paris, Triumphbogen -- 2014 -- 1624” / CC BY-SA 4.0
    		For print products: Dietmar Rabich / https://commons.wikimedia.org/wiki/File:Paris,_Triumphbogen_--_2014_--_1624.jpg / https://creativecommons.org/licenses/by-sa/4.0/
    Słowa kluczowe
    InfoField
    Arc de Triomphe, Arc de Triomphe de l’Étoile, Arc de triomphe de l'Étoile, France, Frankreich, Paris, Triumphbogen, …
    Architectural element, Architectural photography, Architecture, Architektur, Architekturelement, Architekturfotografie, Auto, Automobil, Automobilfotografie, Automotive photography, Bauwerk, Building, Denkmal, Door, Fahrzeug, Faubourg-du-Roule, Framing, Gate, Gebäude, Geschichte, Historisches, Île-de-France, Kultur, Kulturdenkmal, Landfahrzeug, Monument, Qualitätsbild, Quality image, Rahmen, République française, Schutzgebiet, Tor, Transport, Tür, UNESCO-Welterbe, Vehicle, Verkehr, Welterbe, Wetter, Wolke, World Heritage Site, 2014
    Pozycja obiektu48° 52′ 25,85″ N, 2° 17′ 42,24″ E Kartographer map based on OpenStreetMap.To i inne zdjęcia na: OpenStreetMapinfo
    Pozycja fotografa48° 52′ 24,69″ N, 2° 17′ 46,82″ E Kartographer map based on OpenStreetMap.To i inne zdjęcia na: OpenStreetMapinfo

    To obiekt wpisany na listę światowego dziedzictwa UNESCO, pod nazwą Paris, Banks of the Seine.

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    Wyróżnienia

    Grafika wysokiej jakości

    Ta grafika została oceniona wg kryteriów dla grafik wysokiej jakości i jest uważana za grafikę wysokiej jakości.

    العربية ∙ جازايرية ∙ беларуская ∙ беларуская (тарашкевіца) ∙ български ∙ বাংলা ∙ català ∙ čeština ∙ Cymraeg ∙ Deutsch ∙ Schweizer Hochdeutsch ∙ Zazaki ∙ Ελληνικά ∙ English ∙ Esperanto ∙ español ∙ eesti ∙ euskara ∙ فارسی ∙ suomi ∙ français ∙ galego ∙ עברית ∙ हिन्दी ∙ hrvatski ∙ magyar ∙ հայերեն ∙ Bahasa Indonesia ∙ italiano ∙ 日本語 ∙ Jawa ∙ ქართული ∙ Qaraqalpaqsha ∙ 한국어 ∙ kurdî ∙ кыргызча ∙ Latina ∙ Lëtzebuergesch ∙ lietuvių ∙ македонски ∙ മലയാളം ∙ मराठी ∙ Bahasa Melayu ∙ Nederlands ∙ ਪੰਜਾਬੀ ∙ Norfuk / Pitkern ∙ polski ∙ português ∙ português do Brasil ∙ rumantsch ∙ română ∙ русский ∙ sicilianu ∙ slovenčina ∙ slovenščina ∙ shqip ∙ српски / srpski ∙ svenska ∙ தமிழ் ∙ తెలుగు ∙ ไทย ∙ Tagalog ∙ toki pona ∙ Türkçe ∙ українська ∙ oʻzbekcha / ўзбекча ∙ vèneto ∙ Tiếng Việt ∙ 中文 ∙ 中文（简体） ∙ 中文（繁體） ∙ +/−

    Licencja

    Dietmar Rabich – właściciel praw autorskich do tego dzieła, udostępnia je na poniższej licencji
    w:pl:Licencje Creative Commons
    uznanie autorstwa na tych samych warunkach
    Ten plik udostępniony jest na licencji Creative Commons Uznanie autorstwa – Na tych samych warunkach 4.0 Międzynarodowe.
    Uznanie autorstwa:
    Dietmar Rabich
    Wolno:
    • dzielić się – kopiować, rozpowszechniać, odtwarzać i wykonywać utwór
    • modyfikować – tworzyć utwory zależne
    Na następujących warunkach:
    • uznanie autorstwa – musisz określić autorstwo utworu, podać link do licencji, a także wskazać, czy utwór został zmieniony. Możesz to zrobić w każdy rozsądny sposób, o ile nie będzie to sugerować, że licencjodawca popiera Ciebie lub Twoje użycie utworu.
    • na tych samych warunkach – Jeśli zmienia się lub przekształca niniejszy utwór, lub tworzy inny na jego podstawie, można rozpowszechniać powstały w ten sposób nowy utwór tylko na podstawie tej samej lub podobnej licencji.

    Uwagi

    For users of the photo

    This image is not in the public domain. Copyright protection applies.

    The rules of the listed free license apply, no more and no less. Please respect the copyright protection.

    Particular attention should be paid to the terms of use, especially when using social media. These sometimes do not correspond to the license conditions listed here. (See CC BY-SA licenses and social media.) Please check this before use in the respective medium.

    The license conditions must also be respected when using so-called generative artificial intelligence (AI). Images created on the basis of this image are processed images or derivatives within the meaning of the license.

    Of course, a free license is no carte blanche for use. In particular, there are restrictions not based on the license, for example to the personality rights of the author (Copyright law of Germany, §§ 12 to 14 of the German Copyright Act). This is especially true for the required attribution and the use of the image. It is expressly not allowed to give the impression through the use of the image, that the author supports the work, in which the image is used, or whose rights holders in any way.

    For editors

    Please do not change the image file, the license, or the filename!

    Even though a wiki offers a wide range of possibilities, some changes are possible but not permitted. The creator of the image has made it available here under the specific license mentioned. The three components — image file, license, and filename (title) — are inextricably linked. Always keep in mind that images are also used outside the Wikimedia Commons ecosystem. In those contexts, attribution specifically refers to this exact location and this exact image file here.

    • If you make changes to the image and want to make the modified image available to others here, upload the result under a new name and credit yourself as the editor — even for very minor changes. The templates Derivative and Extract are also available for this purpose. In addition, the author would like to make only minor corrections to the source he has on hand. The source is — as a rule — a RAW file. Editing a JPEG file always results in an undesirable loss of quality.
    • As an alternative to the specified license, only compatible licenses are permitted. Otherwise, any other form of licensing is reserved exclusively for the copyright holder.
    • When making changes to the filename, please always keep in mind the world outside of Wikimedia Commons. Anyone who enters a link expects the correct page with the correct image to appear. Anything else leads to confusion. A reference to the file versions is considered insufficient and impractical.

    If you believe changes are necessary, or if you would like to offer constructive criticism, please contact the author.

    It goes without saying that using the Crop Tool will not overwrite this original file. In accordance with the license, the resulting cropped image will have its user categories removed, any labels like “Quality Image” removed, the name of the person who created the cropped image added, and this original file cited as the source.

    Two additional notes:

    • File metadata (EXIF/IPTC/XMP) may not be removed or altered, provided that it is useful and necessary for the enforcement of rights. (protection of information necessary for the enforcement of rights, §95c UrhG).
    • The author expressly disavows any images based on his photos (derivative works) that have been altered — even minimally — by third parties and on which only his name is listed as the author.

    The title (or, alternatively, the filename) is part of the license’s required information and should therefore not be changed. If any of the information is incorrect, the author would appreciate being notified.

    Links …

    For photographers

    How do you take a photo like this?
    To give you a little insight into how a photo like this was created, here are a few basic tips and tricks specifically related to this photo.
    Basics

    First, you should be aware that a good photo is taken by the photographer themselves. The focus is therefore on composition and creativity. At least when you are starting out, it is advisable to follow the rules of composition. The camera and lens are tools for creating the photo. Technically speaking, a photo is only as good as the tools allow it to be.

    If creativity and high quality are important to you, you should say goodbye to fully automatic mode. However, individual automatic functions can be useful. It is better to make some camera settings consciously, so it is also important to use them selectively.

    There are only a few basic parameters that affect a photo. These are aperture, exposure time and ISO value. The aperture determines the depth of field in the image. The wider the aperture is open, the less sharp the image will be, and vice versa. However, the aperture should only be closed as far as is absolutely necessary. The exposure time should be short enough to prevent the photo from being blurred. The shorter it is, the more likely it is that movement will be frozen. The ISO value determines how sensitive a sensor is to light. The higher it is, the more sensitive it becomes. (More precisely, the light signal is amplified.) However, this has a disadvantage, because as the ISO value increases, so does the noise.

    You should be able to focus correctly on the camera. You don’t necessarily have to focus manually, but you should be able to select the appropriate focus fields yourself. Furthermore, the significance of the focal length and its effect on the photo should be actively selected. For example, a longer focal length results in a compression effect, which has its own image effect. Even when using a zoom lens, it can’t hurt to take a few steps forward or backward.

    Of course, this is only a very brief overview. There are other influencing factors and parameters, but these cannot be conveyed in the brevity of this text.
    Tips & Tricks
    In photography, framing refers to the representation of visual elements in an image, in particular the placement of the subject in relation to other objects. Image composition can make an image more aesthetically appealing and draw the viewer’s eye to the actual subject. It adds depth to an image and makes it more interesting when the image composition is thematically related to the composed object. Framing gives the subject a frame, which can consist of plants in the foreground, for example. In some places, there are also tourist frames, but these tend to limit the possibilities for image design. They serve more as a memento.
    ▷ Zobacz też kategorię: Framing (effect).
    Chromatic aberrations are colored fringes — often magenta or green — at high-contrast edges in a photograph. They are caused by lens-induced refraction of light waves, where colors do not align sharply. They are most visible at sharp transitions such as treetops or architectural features. They occur primarily with inexpensive lenses or in extreme lighting conditions. This can be avoided with high-quality optics, moderate aperture values, and centered subjects. The effects can usually be corrected in post-processing.
    ▷ Zobacz też kategorię: Chromatic aberration.
    The saying “less is more” means showing only what is really important in photography. A good photo does not need many elements. It needs a clear main subject, so decide on a main subject. Instead of showing a lot of the surroundings, get closer to the detail or choose a narrower frame.
    Photography, psychology, and psychotherapy are closely linked because images have a direct effect on our emotional experience. The brain processes visual impressions faster than words. Even before we consciously interpret a photo, it activates the limbic system — our center for emotions.
    Colors, light, perspective, and facial expressions influence our mood: warm colors have a stimulating effect, cool colors a calming one. A familiar face or a specific place can immediately trigger memories and associated emotions.
    At the same time, the way we take photos reflects our inner world. The choice of subject and image composition can reveal unconscious themes. This is used in psychotherapy: photos help to express feelings, activate memories, and reflect self-image. Images thus become a bridge between emotion and language.
    Postface
    Photography is more than just technique — it’s your way of seeing the world.

    Maybe you’re waiting for the “perfect” subject. For better light. For more time. But creativity doesn’t start with perfect conditions — it starts with curiosity. With the courage to look. With the decision to get started today.

    The light in the morning tells different stories than the light in the evening. Shadows paint patterns on walls. Raindrops transform into tiny universes when viewed in macro. An ordinary street becomes a stage when you observe it patiently.

    You don’t need the most expensive equipment. You need your eye. Ask yourself:

    • What do I overlook every day?
    • How does this moment feel?
    • What happens when I get closer — or further away?

    Allow yourself to experiment. Play with perspectives. Crouch down. Take pictures against the light. Deliberately crop something out. Break the rules — after you know them. Not every picture has to be perfect. Every picture can be a step.

    Creativity comes from doing. So get going. Capture what moves you. Show your view of the world — because no one else sees it the way you do.

    Your camera is not a tool for perfection.
    It is a tool for expression.

    Fotografie
    You like this photograph? That pleases me very much! You would like to see more of my pictures? With pleasure.
    Wikimedia Commons has a large number of my photographs available under a free license. This makes it easy for you and me. The license details are for each picture. The use is easier than you think, because in essence, this is just the attribution in the form I want. In addition, usage notes are listed for each picture. And if it does not fit, just ask. My contact information is also available with every photograph.

    Podpisy

    Dodaj jednolinijkowe objaśnienie tego, co ten plik pokazuje
    Arc de Triomphe de l’Étoile, Paris, France (2014)

    czas ekspozycji

    0,008 sekunda

    ogniskowa

    16 milimetr

    typ MIME

    image/jpeg

    szerokość

    3500 piksel

    wysokość

    2983 piksel

    ilość danych

    4 843 076 bajt

    suma kontrolna

    a4cad4464a10d52fd692913c8e890f9966714f83

    metoda określenia: SHA-1

    hasztag

    car

    ArchitecturalPhotography

    Paris

    Framing

    Architekturfotografie

    AutomotivePhotography

    Historia pliku

    Kliknij datę lub czas, aby zobaczyć, jak plik wyglądał w tamtej chwili.

    Data i czasMiniaturaWymiaryUżytkownikOpis
    aktualny18:35, 15 kwi 2023Miniatura wersji z 15 kwi 2023, 18:353500 × 2983 (4,62 MB)XRayimprovements
    10:15, 23 lut 2017Miniatura wersji z 23 lut 2017, 10:153500 × 2983 (4,43 MB)XRayresolution
    19:44, 9 cze 2015Miniatura wersji z 9 cze 2015, 19:443500 × 2983 (4,42 MB)XRayFix (LR6 + EOS70D + magenta)
    15:12, 18 lip 2014Miniatura wersji z 18 lip 2014, 15:123000 × 2557 (3,23 MB)XRay

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