Buñuel's The Discreet Charm of the BourgeoisieMarsha Kinder Cambridge University Press, 28.01.1999 - 225 Seiten The first collection of critical essays on Luis Buñuel's 1972 Oscar-winning masterpiece,The Discreet Charm of the Bourgeoisie, this anthology brings fresh perspectives to the most sophisticated film of this director whose narrative experimentation was always ahead of its time. Combining some of the world's most distinguished scholars on Buñuel and Spanish cinema with new voices in cultural theory, this volume helps us to rethink not only The Discreet Charm of the Bourgeoisie, but also Buñuel's entire body of work. |
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ambassador of Miranda Aranda artistic audience Barthes Belle de jour bishop bourgeois bourgeoisie Buñuel's films Carlos Saura characters charme discret chien andalou cinema colonel's conventional critical cultural detour diegesis dinner party discourse Discreet Charm Don Juan dream erotic essay exile Exterminating Angel fantasy female feminist figure film's filmmaker Foucault French gender ghost guests Ibid interrupted Jean-Claude Carrière Jeanne L'âge d'or Las hurdes Last Sigh Los olvidados Luis Buñuel Madrid Mary Ann Doane masochism masochist Mexican modernist movie narrative ñuel ñuel's Objects of Desire Obscure Object patriarchal Phantom of Liberty play pleasure police political postmodern postmodernist power networks reading Reina Sofía Sánchez Vidal scene screen Sénéchal sequence Séverine Séverine's sexual shot social sound space Spain Spanish spectators Stéphane Audran story strategies structure subversive surrealism surrealist Tenorio terrorist themes Thévenot tion trans Un chien andalou University Press Viridiana visual voice York